Food, Dude

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Susan Coleman Morse and Eli Blevis wrote an article (full version coming soon) in the ACM Interactions Magazine XVI.2: “Permaculture, urban farming, and locavorism – all are newly familiar terms that we define in this month’s forum and that are implicated in sustainable lifestyles. All denote opportunities for interaction designers. By opportunities, we mean not only potential applications of interactive technologies to help where no interactive technologies have been previously applied, but also the potential use of interactive technologies to more broadly distribute the cherishable wisdom of those who practice simpler, more sustainable, more natural heirloom and traditional forms of food culture and land use…”

Taste Visualization for Pixar’s Ratatouille

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In the Fall of 2006, Michel Gagné was contacted by Brad Bird to create a series of animated vignettes for his movie Ratatouille. The concept was to design and animate abstract representations of what the character was tasting. After discussing ideas and concepts with Brad Bird, he created a series of images to illustrate potential ideas of how the taste could be visualized in an abstract way. These were reviewed by Brad and shown to the music composer as inspiration.

A great example of how to make something abstract like taste very concrete.

Philips Design Investigates Food Printer

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“FOOD takes a provocative and unconventional look at areas that could have a profound effect on the way we eat and source our food 15-20 years from now” says the FOOD-project of this consumer electronics company. Wih three new projects Diagnostic Kitchen, Food Creation and Home Farming Philips figures out what the design probes are.

Food Concepts in ‘Eat Love’ by Marije Vogelzang

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“The atmosphere, the people involved, the stories behind the ingredients, the taste and texture, sound, smell and colour of food and the way it is prepared and served. She explores the intimacy of design that actually goes inside your body and follows the journey of food from seed all the way to poop. Thinking about all this and working and experimenting in her studio and restaurant and by creating eating experiences for her clients she has developed her own unique way of looking at eating from a psychological, cultural and design point of view.” says Dutch eating-designer Marije Vogelzang in her newly published book ‘Eat Love‘.

Marije considers cooking something for professionals.

The Best Meal You Have Ever Had

It’s always interesting to hear people’s stories of their most memorable dining experience(s). Which experiences shaped them for the rest of their lives? This Meal in Venice from 1978 by Rick and Teel Sale made them really, really happy. They’ll never forget. “Papa! Papa you did it! You made it!

It’s (still) a far cry from having this kind of UX. [via Jason Kottke]

Philosophies and Chef Statements of Heston Blumenthal

At the site of the famous restaurant The Fat Duck, cuisinier Heston Blumenthal takes the opportunity to outline some of his philosophies and chef statements regarding food, cooking and eating. The parallels with user experience (design) are remarkable.

“We believe that cooking can affect people in profound ways, and that a spirit of collaboration and sharing is essential to true progress in developing this potential. The act of eating engages all the senses as well as the mind. Preparing and serving food could therefore be the most complex and comprehensive of the performing arts. To explore the full expressive potential of food and cooking, we collaborate with scientists, from food chemists to psychologists, with artisans and artists (from all walks of the performing arts), architects, designers, industrial engineers. We also believe in the importance of collaboration and generosity among cooks: a readiness to share ideas and information, together with full acknowledgment of those who invent new techniques and dishes.”
(c.f. Heston Blumenthal, Harold McGee, Thomas Keller and Ferran Adria)